Evacuate the bones, let the skin hang dry. (2023)
soprano, violin, and violoncello (6 min.)
for Ah Young Hong, Conrad Harris, and Coleman Itzkoff
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It so happens that ears have no eyelids (2022)
clarinet, bassoon, horn, and electric guitar (4 min.)
written for the Ensemble Dal Niente and DePaul Summer Residency for New Music 2022
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sullen in this sable mire, For with unbroken words they cannot say (2020)
bass clarinet, double bass, piano, and percussion (5 min.)
for Steven Beck, Greg Chudzik, Matthew Gold, and Rane Moore of Talea Ensemble, as part of their virtual residency at the Peabody Institute
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That has such people in it. (2018–2019)
string quartet (18 min.)
1. utopia (June 2018, rev. October 2018)
for the Mivos Quartet and the 2018 VIPA Festival
2. squalid with the over-compensations for misery (2019, rev. 2022)
commissioned by earspace for its 2019 program “What if the truth is not enough?”
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Light, upon glass strongholds, bounces (2019)
bass flute and percussion (4 min.)
(also available for bass clarinet and percussion)
for Vanessa Ascher and David Therrien-Brongo and the 2019 Domaine Forget Festival
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(de)gradations (2017)
mixed quartet: bcl, tbn, pno, vc (6 min.)
commissioned by the New Mexico Contemporary Ensemble
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that which lies within (2017)
mixed octet: 2fl, ob, cl, pno, perc, vln, vc (4 min.)
for the Ecce Ensemble and the 2017 Etchings Festival
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Fermi's Paradox (2017)
unspecified ensemble
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Eleven lines of a riddle (2017)
baritone and toy piano (3 min.)

The eye-trunks, grasping each other tightly,and the visible wet air exhale. (2022)
solo viola (8 min.)
for Nadia Sirota
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If there is a dead thing still rotting (2021)
flute and recited text alone (10 min.)
for Denis Savelyev
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shadow of a difference / falling (2020)
oboe alone (3 min.)
(also available for soprano saxophone)
for Andrew Nogal
commissioned by the Dina Koston and Roger Shapiro Fund for New Music in the Library of Congress
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Paraphs (2018)
solo piano (5 min.)for Jacob Rhodebeck
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Refractions: On Escher (2017)
solo flute (6 min.)

Opacities (2018)
unspecified solo woodwind, live electronics, lighting, and structure (12 min.)
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Here (2016)
unspecified solo instrument and live electronics
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ARTIFICIAL INTELLIGENCE (2016)
solo piano and fixed electronics (5 min.)
for Kylo Balan
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Constantly risking absurdity (2015)
voice and live electronics (5 min.)

Of Tar Heel Voices, Ringing Clear and True (2022)
sinfonietta (7 min.)
Commissioned by the University of North Carolina in celebration of their 2022 Campaign for Carolina.
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Lo, how a rose (2020)
solo piano (3 min.)
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Blest be the tie that binds (2020)
solo piano (3 min.)